atonality的音標(biāo)是[??tɑ?nl?ti]?；痉g是“非調(diào)性；無調(diào)性”。速記技巧是可以在詞根“atone”上做文章，把“atone”變成“at”+“tone”，從而快速記住這個(gè)單詞。

Atonality這個(gè)詞的英文詞源可以追溯到拉丁語(yǔ)“a”和“tonus”，意為“音調(diào)”和“音域”。這個(gè)詞的含義是指音樂中沒有主音或中心音，所有的音都同等重要，沒有特定的調(diào)式。

變化形式：在英語(yǔ)中，Atonality的復(fù)數(shù)形式是atonality，過去式和過去分詞形式是atoned，現(xiàn)在分詞是atonelling。

相關(guān)單詞：

1. atonal - 無調(diào)性的，表示音樂中沒有特定的調(diào)式。

2. non-tonality - 非調(diào)性，指音樂中沒有主音或中心音。

3. dissonance - 不和諧音，指在音樂中與主音不和諧的音。

4. consonance - 和諧音，指在音樂中與主音和諧的音程。

5. chromaticism - 半音化，指音樂中使用半音階的特性。

6. chromaton - 半音階曲式，是一種音樂結(jié)構(gòu)，由一系列半音階組成的音程。

7. polytonality - 多調(diào)性，指音樂中有多個(gè)中心音的調(diào)式。

8. modalism - 模進(jìn)主義，一種音樂理論，主張音樂中的和聲基于不同的音階和調(diào)式。

9. polyatony - 多調(diào)性音樂，指音樂中同時(shí)使用多個(gè)調(diào)式的現(xiàn)象。

10. harmonics - 泛音，指在音樂中產(chǎn)生的泛音模式，通常與不和諧音相關(guān)。

以上這些單詞都與Atonality這個(gè)概念密切相關(guān)，描述了音樂中的不同表現(xiàn)形式和特征。

Atonality常用短語(yǔ)：

1. atonal music - 無調(diào)性音樂

2. atonality - 非調(diào)性

3. chromaticism - 半音化

4. non-functional harmony - 非功能和弦

5. non-key - 非調(diào)性

6. non-tonality - 非調(diào)性音樂

7. polytonality - 多調(diào)性

雙語(yǔ)例句：

1. This piece of music is composed in atonality.

2. The singer"s performance was characterized by atonality.

3. The musicologist studied atonality in depth.

4. The audience was captivated by the singer"s performance, which was marked by a strong sense of atonality.

5. The composer"s use of chromaticism and atonality created a unique sound world.

6. The musician"s mastery of atonality and polytonality was exceptional.

英文小作文：

Atonality in Music

Atonality is a musical concept that refers to the absence of a fixed key center or tonal center. In atonality, musical sounds are not organized around a single pitch or key, but rather exist in a state of constant flux and variation. This creates a sense of freedom and spontaneity in the music, as performers and audiences are free to interpret and respond to the sounds in their own way. Atonal music often features complex harmonies and dissonant sounds that challenge traditional notions of consonance and dissonance.

For me, atonality is an essential element of music that challenges my listening and cognitive abilities. It forces me to approach music from a different perspective, to listen more carefully and actively, and to consider the sounds and harmonies in a new way. At the same time, it also provides me with a sense of freedom and creativity that is both exciting and invigorating. I believe that atonality has the potential to expand our understanding of music and to foster a deeper appreciation for its beauty and complexity.